![]() ![]() You might be able to switch to another voice from your phone or tablet's text-to-speech settings. Turn on or off "Play voice during phone calls.".Tap your profile picture or initial Settings Navigation settings.If you get a phone call while navigating somewhere, you can answer the call, but you’ll hear voice directions unless you mute it. You’ll hear alerts like traffic, construction, and crashes. Learn how to fix voice navigation problems. When you navigate to a place, you can hear voice directions. Settings : Change your settings, like switching between miles and kilometers or avoiding toll roads.Show satellite map : Review the map in more detail, using satellite images.Show traffic on map (while Driving only): Find traffic delays along the way, such as crashes or construction work.Directions : Get a list of step-by-step directions.Search along route : Find a place along your route, like a restaurant or gas station.Learn more about real-time location sharing. Share trip progress : Share your live location until you arrive.To hide the menu, swipe down on the information card. To find more actions while you’re navigating to a place, go to the information card at the bottom of the screen and swipe up. Learn how to add a shortcut to get directions to a place you travel to often, like work or home.To find the map from your point of view, tap the compass.Learn more about nearby places and travel. You can see traffic info, public transit options, and local places of interest in just a few seconds.To stop or cancel navigation, go to the bottom left and tap Close.For example, you might be in or near a tunnel, parking garage, or other location where there’s no GPS signal. If you see “Searching for GPS,” your phone is trying to get a GPS signal. To follow an alternate route, tap the gray line. If other routes are available, they'll show in gray on the map.If you touch and hold the button instead, you’ll start navigation and can skip steps 4 through 6. Search for a place or tap it on the map.On your Android phone or tablet, open the Google Maps app.Let Google Maps use your current location and audio speakers.Oversized or emergency vehicles aren't the intended users of navigation. Important: Navigation and info about which lane to use aren't available in all countries, regions, and languages. ![]() ![]() With voice navigation, you can hear traffic alerts, where to turn, which lane to use, and if there's a better route. Maps shows you directions and uses real-time traffic information to find the best route to your destination. ![]() Any travel time between destinations before then will be an estimate calculated as if there is no traffic congestion.To get easy, turn-by-turn navigation to places, use the Google Maps app. When offline, keep in mind that you won’t have real-time traffic data until you have connectivity again. If you turn on “auto-update” in the settings menu, your maps will refresh about once every two weeks to include the latest data. Generally speaking, the more precise you can be with your location, the smaller the file size. In both cases, Maps will show you an estimate of how much space the file will take up on your phone before you download. Maps will still give you the option to make adjustments to the range of the area.
0 Comments
![]() ![]() Related: MiraLAX side effects (in more detail) For younger children, ask your doctor before using this product.Īsk your doctor before using MiraLAX if you have a bowel obstruction or intestinal blockage, any eating disorder, kidney disease, irritable bowel syndrome, rectal bleeding, nausea or vomiting, stomach pain, or a sudden change in bowel habits.ĭo not use MiraLAX if you are allergic to polyethylene glycol. This product can be used in people 17 years of age and older. You still may have loose, watery or more frequent stools while using this product, but this typically does not occur suddenly. In general, MiraLAX causes less gas, bloating, or stomach cramping compared to fiber laxatives, stimulant laxatives or stool softeners. Just be sure the powder is completely dissolved before drinking. Stir the mixture fully and drink it right away. You can mix it with hot, cold, or room temperature beverages, such as hot or iced coffee, water, apple or orange juice, soda or tea. MiraLAX comes as an unflavored powder that you mix with 4 to 8 ounces of liquid and drink. Can I mix MiraLAX with hot coffee? How do I use it? Generic or store brands are also available for cost savings. MiraLAX, made by Bayer Healthcare, is available over-the-counter (OTC) without a prescription at your pharmacy, grocery store or online. It promotes gentle movements with fewer harsh side effects like cramping or bloating.īe sure to ask your doctor or pharmacist to check for any drug interactions with MiraLAX if you take other prescription or OTC medicines, herbals, vitamins or dietary supplements.It binds with the stool and water to increase stool volume.It binds and retains water in your colon to help soften your stools.It works three ways to help treat constipation: MiraLAX is an osmotic laxative that contains polyethylene glycol 3350. If your constipation does not improve within one week or worsens, contact your doctor. However, you should always follow the directions on the Drug Facts Label on the MiraLAX package unless otherwise directed by your healthcare provider. In some cases, your doctor may recommend more frequent use or alternative directions for MiraLax to address ongoing and chronic constipation. Do not use MiraLAX for more than 7 days without your doctor’s approval. It does not typically cause a sudden feeling of urgency like some other laxatives.Ĭontact your doctor if you have used MiraLAX for 7 days and still have not had a bowel movement. When used as directed for constipation, MiraLAX should produce a bowel movement in 1 to 3 days without harsh side effects. You may start taking MiraLAX at the first signs of constipation and continue taking one dose per day until you experience relief (up to 7 days maximum or as directed by your doctor). MiraLAX usually produces a bowel movement in 1 to 3 days. You may prefer to take it early in the day so that it’s less likely you will have a bowel movement during bedtime or late at night. For relief of constipation, you can take one dose of MiraLAX at any time of the day for up to 7 days. ![]() ![]() ![]()
![]() Adding formatting to the village data submission page.ġ. Optional Advanced settings that enable you to only balance one resource, or choose to horde a certain amount of a resource in villages with a surplus of that resource.Ĥ. Warehouse levels are now taken into account, to prevent a village from receiving more resources than it can hold.ģ. The Resource Balancer will now work in a sat account.Ģ. There is no need to update your script, but you might get access to the new one a day sooner if you clear your cache.ġ. *Rix* and I just released version two of the resource balancer. You must have your dynamic menu bar turned on. You must wait long enough for the production overview tabs to finish loading before pressing the script a second time. (Tribalwars doesn't use popups, so you shouldn't have to worry about getting any from tribalwars anyway.)Ģ. On the confirm page, click the script again to send off your resources.Įdit: I've set up a skype chat for people that need help.ġ. Click the script again to automatically press the "ok" button.ģ. Click the script to enter in the resources embedded in the url.Ģ. Clicking each link takes you to the relevant market page with the target input.Īt this point I copied functionality from some existing market scripts.ġ. ![]() The algorithm figures out what villages need to send resources where, and spits out a page detailing this and links to help you get there.Įmbedded in the links are the resources that need to be sent. ![]() ![]() ![]()
![]() ![]() Additionally, Motion’s AI software reschedules should changes occur and notifies you and other assignees of upcoming deadlines.Ī key part of Motion’s interface is that it does the calculating for you. Just input the tasks and deadlines, and Motion builds your schedule, assigning priority to each one. Motion removes a lot of the manual work involved in planning. It manages your time capacity and availability, all while empowering you to share with your team or employees. Motion offers the ability to time-block your ongoing tasks for future weeks. The idea with Motion is that you can get all the benefits of a weekly schedule template without the disadvantages.įor instance, there's no need to reformat a schedule every week. Motion is, first, a productivity tool that automates planning. Here’s a curated list of some of the top offerings for scheduling tools and templates to revamp how you plan. There’s no need to scour the web for ready-to-go weekly schedule templates. It’s often better to overestimate how long it'll take to accomplish something. Remember, we tend to underestimate a task’s time length - that’s the planning fallacy at work. As you go along, you'll find out what works better and adjust as needed.įinally, in the empty time blocks, you'll fill in the remaining tasks set for each week. Take that time to check your agenda, calendars, or task list to write down the recurring tasks you need to do and add them to your usual time blocks. Next, figure out when you'll plan out each week. It’s not ideal if you are sharing with a team, in case there are changes to the schedule. However, it may be difficult to update and edit. If you want a physical copy to keep out in plain sight, a printable template is a good choice. Another option is to use scheduling templates directly in software solutions, like a project or task management tool.Īlternatively, you can print out your template (or several copies) to fill out by hand. ![]() Open your template of choice in any of these interfaces and customize the rows and columns with your preferred time system (i.e., every hour or half-hour time block). How do you use a weekly schedule template?įirst, choose the software or interface that works with your business, be it Microsoft Word, Excel, Google Docs, Sheets, or another software. As such, it can’t respond to unprecedented events by automatically shifting your schedule around.
![]() ![]() When Ron shared what he had learned with his family, they took pride in Reisz’s “creativity and thinking out of the box.” Neither man had any, so they tattooed what looked like Auschwitz numbers on their left arms. Weintraub Gilad's maternal grandparents, Samuel and Agi KestenbaumĪfter their release, the men started their journey back home, but to pass through the British-occupied military area without being detained, identification was required. ![]() Yair Ron (left) and his father, Jakub "Yakshi" Reisz, around 1955 Letters emerge from different vines-the initials of Weintraub Gilad’s husband and her children.Įven though her grandfather’s number was on his left arm, Weintraub Gilad placed her own tattoo on her right arm, because she wanted “to do it the same but different.” One reason for choosing the right arm was because she did not want to see the number “on the side of the heart.” The tattoo itself features her grandfather’s number in a nest of leafy green vines, a nod to her love of nature. As Weintraub Gilad explains, “It starts the conversation, and that’s the purpose.” She says the tattoo gives her the chance to tell her grandmother’s stories and talk about the Holocaust with others. Weintraub Gilad remains very close to her grandmother, who is now 95 years old. But the tattoo was also for her maternal grandmother, who had been imprisoned at Auschwitz but was never tattooed because she was not expected to survive. Orly Weintraub Gilad, a 45-year-old Israeli, chose to have her maternal grandfather’s number tattooed on her arm. Orly Weintraub Gilad holds a photograph of her maternal grandparents. Each decision crafts its own independent meaning. Others have chosen to alter the designs in detail and color, or to place it on a different part of their body. Some individuals have chosen to replicate exactly what the original looked like and where it was placed. The replica tattoos vary in terms of font, color and placement. Still others discussed the procedure with their relative beforehand. Others got the tattoo without seeking approval. Some waited until their survivor parent or grandparent had died. ![]() The tattoos’ designs aside, tattooing in general is considered taboo among many Jews for religious and cultural reasons. The people I have spoken with have relayed complex and varied decision-making processes behind this action. Of the 16 people I have spoken with, 13 are from Israel and 3 from the United States.Īs the number of remaining survivors of the Nazi concentration camps grows ever smaller and the Holocaust passes out of living memory, replicating an Auschwitz tattoo becomes to these descendants an ever more potent gesture about embodied memorialization and, crucially, familial ties and love. My research delves into the stories of those descendants who, like Cohen, have chosen to replicate a parent’s or grandparent’s serial number tattoo on their own body. Public domain via Wikimedia Commons A potent gesture Holocaust survivor Bronia Brandman's Auschwitz tattoo As a gesture and an indelible mark she carries with her, Cohen says, “The number is my grandma. To her mind, replicating this number was a means of taking both her grandmother as a person and her grandmother’s legacy forward. Cohen draws meaning from her tattoo in that it signifies her grandmother’s history and her own identity as a descendant of Holocaust survivors. Over the course of Auschwitz’s existence, more than 400,000 prisoners were assigned serial numbers. ![]() Cohen is one of a number of the children and grandchildren of Holocaust survivors, more specifically survivors of the Auschwitz-Birkenau death camp, who have chosen to replicate their family member’s tattoo on their own body.Īuschwitz, in Nazi-occupied Poland, was the only camp where numbers were tattooed on those prisoners not selected for immediate death. The influence the Holocaust has had through the generations runs deep, and how each descendant of survivors remembers the past and its legacy varies hugely. Her grandfather finished every crumb from every plate. The legacy of starvation was never far from the surface. It permeated family life, as did the self-imposed interdiction on talking about the past and the absence of relatives. It was just always there.Ĭohen, a 41-year-old living in Israel, felt as if she had experienced the Holocaust herself, in a different cycle of her own life. Rony Cohen doesn’t remember any particular moment when she first became aware of the number tattooed on her grandmother’s arm. ![]() ![]() ![]() The screenplay (by Peter Ackerman, Eyal Podell and Jonathon E. In perhaps the most startling development, and one that may strike loyal fans as a bit of a betrayal, the pigs are no longer the birds’ swine - er, sworn enemies. You may recall that in the previous episode, the pigs stole and nearly ate all the birds’ eggs, an episode of attempted mass child murder that is amusingly shrugged off here. These things aren’t drawn to scale.) Red is now the beloved hero of Bird Island and the leader of its ongoing prank war with Leonard (Bill Hader) and all the other annoying green oinksters on Pig Island. ![]() Things are looking up for Red, who is now celebrated rather than ostracized. “The Angry Birds Movie 2,” a riotous burst of computer-animated slapstick silliness directed by Thurop Van Orman, further complicates the plot and the character dynamics - gratuitously, but enjoyably. Birds go whoosh, pigs go boom - what is there to misunderstand? It was pretty good fun, all in all, even if some of the gags and misunderstandings felt tacked on. The angriest bird was Red (voiced by Jason Sudeikis), shunned by everyone else for his short fuse and thick eyebrows until he proved himself a hero at heart. The first one, released to great commercial success in 2016, pulled off the dubious trick of turning these squawking projectiles into characters, each with its own wisecracks and neuroses. The “Angry Birds” movies, for all their virtues, do not. They have a wondrous conceptual simplicity. But the satisfactions of these puzzles are as basic and primal as an explosion in a Michael Bay movie. Some quick mental physics is involved, depending on how carefully you care to estimate the trajectory of each bird and the height of each structure. As of the 2023 listing, there are 875 films in the Registry.In the “Angry Birds” video games, you use a slingshot to lob flightless buzzards at wobbly fortresses stacked with snickering green pigs. The Registry contains newsreels, silent films, student films, experimental films, short films, music videos, films out of copyright protection or in the public domain, film serials, home movies, documentaries, animation, and independent films. A film is not required to be feature-length, nor is it required to have been theatrically released in the traditional sense. The NFR includes films ranging from Hollywood classics to orphan films. Since 1997, members of the public have been able to nominate up to 50 films a year for the NFPB and Librarian to consider. Billington and his staff at the Library for the final selection. The ballots were tabulated into a list of 25 films that was then modified by Librarian of Congress James H. Members of the NFPB then developed individual ballots of possible films for inclusion. For the first selection in 1989, the public nominated almost 1,000 films for consideration. A film becomes eligible for inclusion ten years after its original release. The NFPB adds to the NFR up to 25 "culturally, historically or aesthetically significant films" each year, showcasing the range and diversity of American film heritage to increase awareness for its preservation. Wikimedia Commons has media related to National Film Registry. The 1996 law also created the non-profit National Film Preservation Foundation which, although affiliated with the NFPB, raises money from the private sector. The National Film Preservation Board's mission, to which the NFR contributes, is to ensure the survival, conservation, and increased public availability of America's film heritage. The Act was passed and the NFR's mission was subsequently reauthorized by further acts of Congress in 1992, 1996, 2005, 2008, and 2016. Yates introduced the National Film Preservation Act of 1988, which established the National Film Registry, its purpose, and the criteria for selecting films for preservation. In response to the controversy over the colorization of originally black and white films in the decade specifically, Representatives Robert J. ![]() Throughout the 1980s, several prominent filmmakers and industry personalities in the United States, such as Frank Capra and Martin Scorsese, advocated for Congress to enact a film preservation bill in order to avoid commercial modifications (such as pan and scan and editing for TV) of classic films, which they saw as negative. The National Film Registry ( NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural, and aesthetic contributions since the NFPB's inception in 1988. gov /programs /national-film-preservation-board /film-registry ![]() ![]() ![]()
![]() ![]() Adding 2% camber has also resulted in a slight increase in CLmax from about 1.6 to 1.7 when compared to the 0012 airfoil. The moment coefficient is negative over most of the range of angle of attack indicating a nose down pitching moment and positive stability. Also note that the moment coefficient at the quarter chord is no longer zero but is still relatively constant between the onset of positive and negative stall. Note that the lift coefficient at zero angle of attack is no longer zero but is approximately 0.25 and the zero lift angle of attack is now minus two degrees, showing the effects of adding 2% camber to a 12% thick airfoil. In the right hand graph the moment curve shown is for the moment at the “aerodynamic center” rather than the quarter chord but since it is also zero in this plot it confirms the theoretical prediction that for a symmetrical airfoil the center of pressure (where the moment is zero) coincides with the aerodynamic center.įigure A-2 gives similar data for the NACA 2412 airfoil, another 12% thick shape but one with camber. Also note that the pitching moment coefficient at c/4 (in the left hand graph) is essentially zero from -12 degrees to+ 14 degrees angle of attack and then goes negative in stall at positive angle of attack. Note that the flap deflection shifts the lift curve far to the left giving a zero lift angle of attack of roughly minus 12 degrees while it increases the maximum lift coefficient (Re= 6 x 106) from just under 1.6 to 2.4, a huge increase in lifting capability that can contribute to large decreases in takeoff and landing distances. They also show what happens when a 20% chord flap is deflected 40 degrees. These graphs show test results for several different Reynolds numbers and for “standard roughness” on the surface. Note that for the symmetrical shape the lift coefficient is zero at zero angle of attack. The airfoils presented represent a cross section of airfoil shapes selected to illustrate why one would select one airfoil over another for any given aircraft design or performance requirement.įigure A-1 shows data for the NACA 0012 airfoil, a classic symmetrical shape that is used for everything from airplane stabilizers and canards to helicopter rotors to submarine “sails”. In the following appendix material a selection of airfoil graphical data is presented which can be found in the Theory of Wing Sections and in the non-copyrighted NACA publications which are the source of the Dover publication’s data. While the date of original publication might lead one to think this material must be out of date, that is simply not true and the Theory of Wing Sections is one of the most valuable references in any aerospace engineer’s personal library. Many of the more important airfoil shapes have their test results summarized in the Theory of Wing Sections, a Dover paperback publication authored by Ira Abbott and Albert Von Doenhoff and first published in 1949. This data is most conveniently presented in plots of lift coefficient versus angle of attack, pitching moment coefficient versus angle of attack, drag coefficient versus lift coefficient, and pitching moment coefficient versus lift coefficient and is found in literally hundreds of NACA and NASA Reports, Notes, and Memoranda published since the 1920s. Lift, drag, and pitching moment data for hundreds of such airfoil shapes was determined in wind tunnel tests by the National Advisory Committee for Aeronautics (NACA) and later by NASA, the National Aeronautics and Space Administration. ![]() In Chapter 3 of this text we discussed many of the aspects of airfoil design as well as the NACA designations for several series of airfoils. ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |